Daisy Edgar-Jones Pairs Gold Aquazzura So Nude Sandals With Westwood Gown at Premiere

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Daisy Edgar-Jones brought a romantic, period-inspired approach to the world premiere of Sense and Sensibility at Odeon Luxe Leicester Square in London, pairing an oyster-colored satin Vivienne Westwood gown with metallic pale gold Aquazzura So Nude sandals.

The combination connected the film’s Regency setting with modern red-carpet dressing: Westwood’s corseted draping and sweeping train supplied the drama, while the barely-there Aquazzura heels kept the footwear deliberately streamlined.

Based on Jane Austen’s 1811 novel, Sense and Sensibility is set for release in the UK on September 25 and in the US on October 16.

Let’s take a closer look at the shoes, gown, and archival jewelry that completed Edgar-Jones’ premiere look.

Daisy Edgar-Jones wears a custom oyster satin Vivienne Westwood gown with metallic gold Aquazzura So Nude sandals at the Sense and Sensibility London premiereDaisy Edgar-Jones pairs a custom oyster satin Vivienne Westwood gown with metallic pale gold Aquazzura So Nude slingback sandals at the Sense and Sensibility world premiere in London on September 15, 2026 (Credit: Cover Images)

Daisy Edgar-Jones Steps Out in Metallic Gold Aquazzura So Nude Heels

Edgar-Jones chose Aquazzura’s minimalist “So Nude” sandals in metallic pale gold, bringing a subtle flash of warmth to the cool oyster tones of her gown. The choice continued her relationship with the Italian footwear label: she also wore crystal-embellished Aquazzura Tell Me sandals at the 2026 Cannes Film Festival.

The So Nude is pared back to a slim strap across the toes and an elasticated slingback around the heel, leaving most of the foot exposed. Its open construction and slender 4-inch stiletto create the elongated effect of barely-there evening sandals without adding visual weight beneath the fluid satin dress.

The high heels also added substantial lift to Daisy Edgar-Jones, whom YNS lists at 5’6″ (167.6 cm) with a US shoe size 8.5. She has repeatedly favored streamlined heels on the red carpet, including minimalist Jimmy Choo sandals, slingbacks, and pointed pumps.

Rather than matching the silvery oyster satin exactly, the pale gold finish introduced a warmer metallic note. The contrast is subtle enough that the sandals do not compete with Westwood’s draping, while their reflective leather prevents them from disappearing completely beneath the gown.

The same clean silhouette has made the Aquazzura So Nude a recurring celebrity red-carpet sandal, appearing in nude, metallic, and transparent versions on stars including Kendall Jenner, Naomi Watts, Elle Fanning, Anya Taylor-Joy, and Katy Perry.

Shop the latest Aquazzura So Nude sandals at Mytheresa.

Close-up of Daisy Edgar-Jones wearing metallic pale gold Aquazzura So Nude sandals with slim toe straps, slingbacks, and stiletto heelsDaisy Edgar-Jones’ metallic pale gold Aquazzura So Nude sandals feature the style’s signature slim toe strap, elasticated slingback, and slender stiletto heel (Credit: Alan West / Cover Images)

Why Barely-There Metallic Sandals Work With a Statement Gown

Edgar-Jones’ footwear follows a dependable red-carpet formula: when the dress supplies volume, draping, and movement, a minimal sandal can add height without introducing another competing design element.

Metallic finishes work especially well for this approach because they behave like neutrals while still catching the light. Aquazzura has used the formula across several of its best-known evening shoes, including the metallic Linda sandals worn by celebrities like Eva Longoria, whose slim straps and stiletto heels similarly keep statement clothing the focus.

Here, the So Nude’s pale gold leather works with rather than against the oyster satin. Both surfaces reflect light, but their slightly different temperatures add more dimension than an exact shoe-and-dress color match would.

Daisy Edgar-Jones Embraces Regency-Inspired Glamour in Vivienne Westwood

The shoes provided the restraint underneath a far more elaborate custom Vivienne Westwood gown. Cut from luminous oyster-colored satin, the dress incorporated historical references without becoming a literal period costume.

Its bodice featured the draping and corset-informed construction closely associated with Westwood, with a deeply plunging cowl neckline gathered at the center of the bust. Large tied details at the shoulders softened the structured bodice and reinforced the gown’s romantic character.

Below the fitted waist, the satin opened into an asymmetrical skirt. Gathering at one side created folds through the fabric, while a thigh-high opening exposed Edgar-Jones’ leg and, importantly for the styling, kept the delicate Aquazzura sandals visible. The opposite side extended into a long, sweeping train.

Daisy Edgar-Jones models a custom oyster satin Vivienne Westwood gown with a draped neckline, shoulder bows, thigh-high slit, and sweeping trainDaisy Edgar-Jones’ custom Vivienne Westwood gown combines luminous oyster satin with a draped plunging neckline, tied shoulders, an asymmetrical skirt, thigh-high opening, and sweeping train (Credit: Cover Images)

An Archival 1877 Boucheron Pendant Connects the Look to the Past

Edgar-Jones completed the look with an archival Boucheron statement pendant dating to 1877. Suspended from a burgundy velvet choker, the antique jewel introduced an authentic 19th-century element to an outfit otherwise built from contemporary interpretations of historical dress.

That distinction makes the necklace particularly effective here. Rather than relying entirely on costume-like Regency references, the styling places a genuine period jewel against Westwood’s modern corsetry and Aquazzura’s minimalist sandals.

Edgar-Jones wore her brunette hair in a softly undone updo, leaving loose tendrils around her face. The relaxed styling echoed the gown’s romantic character without distracting from the pendant at the center of the neckline.

Daisy Edgar-Jones wears an archival 1877 Boucheron pendant on a burgundy velvet choker with her Vivienne Westwood satin gownAn archival Boucheron pendant dating to 1877, suspended from a burgundy velvet choker, brings a genuine 19th-century element to Daisy Edgar-Jones’ Vivienne Westwood premiere look (Credit: Alan West / Cover Images)

Why Aquazzura So Nude Sandals Keep Returning to the Red Carpet

Daisy Edgar-Jones’ pale gold heels illustrate why Aquazzura’s So Nude sandals have become such a dependable red-carpet choice. The design is reduced to little more than a slim toe strap, slingback, and heel, creating an elongated line without competing with an elaborate dress. Nude versions can nearly disappear against the foot, while metallic and transparent finishes add shine without adding visual weight.

That balance has made the So Nude adaptable to a wide range of outfits. Celebrities have worn the sandals beneath sculptural gowns, sheer evening dresses, monochromatic separates, floral midis, and even textured raffia looks, changing the color, material, and finish while keeping the same barely-there idea.

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